| This
Timescape interview with Johan Berlin was taken on February 1999.
By
Michael Menegakis
Hi
Johan, I'd like you to start this interview with a *brief* historic of
Timescape, from the time you formed "Damaged"(their first name) since now.
Damaged
formed by myself and Robert Haglund (ex-vocalist) in February 1995. A different
drummer was tried out at first, but we quickly realized that despite Anders
young age (he wasn't even 15 at the time), he would pull it off. Minutes
before the first live-appearance we changed the name to Timescape. Recorded
a three-song mini-promo-cd during the fall of '95. Released in April 1996.
Robert Haglund and the band decide to part ways in August '96. Mikael Moberg
joins in September '96. "two worlds" recorded between January-April´'97.
Released privately in January '98. Picked up by the Swedish label Record
Heaven in May '98, and "two worlds" is re-released in June '98. Record
Heaven have an exclusive distribution for Europe only. The band still handles
Asian and American sales.
The
new album "Strange" have begun to take shape. Recordings started in
December
'98 and we hope to have the new album out by September/October '99.
What
are your future plans now? Will you make a promo CD again before your
second
full length album?
We'll
probably shop around for a world-wide deal with one of the major
"metal"-labels,
like Metal Blade or Nuclear Blast. If that doesn't work,
we'll
just stick with the deal we have.
I
heard that you had plans for a video to "Whispering Shadows". What
happened
with that?
We
couldn't motivate it financially and then we had pretty much started on
the
new album already so it didn't seem like a good idea anymore.
Did
you play live for the promotion of "Two worlds"?
We
did a couple of gigs in Sweden, but nothing much really. We're all spread
out in different towns of Sweden, so that makes rehearsals very hard unfortunately.
How
did you manage to achieve such a good production for "Two worlds"?
First
of all, we pretty much knew how we wanted it to sound. Secondly, the
studio
were we record is an extremely good studio, with a super
sound-technician,
that knows how to get the best out of his equipment.
Finally,
we mastered it at Cutting Room, which is one of Europe's best
mastering
plants.
As
far as I know you and your former Vocalist(Robert Haglund) were in a
band
called "Unit Five". What happened with that band?
We
still play ! Unit Five is a pure cover-band, and we do 70's and 80's pop
and disco !
Are
there any specific experiences that gave you inspiration for some of your
music?
Well,
Silent Room of Time is dedicated to my grandfather that passed away in
cancer and the lyrics are about that. Caught In Reality is about growing
up and facing the responsibilities that are usually connected with becoming
an adult. I try to write from a personal perspective, since I feel the
songs benefit from that.
I
assume with happily :)) that you are fans of Marillion. How is it going
with the cover for the tribute album them? Which do you consider the best
Marillion albums?
We
covered "The Space" and hopefully the tribute-album should be out in February.
It was a very interesting experience and we decided to make a completely
different version than the original.
As
for my favorite Marillion-album, it would be either "Brave" or "Afraid
of Sunlight".
And
another question at this field, how is it going with the Fates
Warning
tribute album?
We
decided to stay off that tribute, since we didn't have time to do the
song
as well as we wanted to. We thought it was more important to record our
own songs for the new album instead.
Who
musicians do you consider your 'mentors' as a guitarist and as
keyboards
player?
Tough
question, since I mostly consider myself a song-writer, arranger and
producer.
However, for guitarplayers, I would say John Sykes and Steve
Lukather
(Toto). Keyboardplayers, would probably be David Foster
(super-producer,
conductor, songwriter and keyboardplayer). There are
several
others that I admire for being excellent musicians, but I guess
that's
not really the point.
In
a big part you are responsible for Timescape's compositions. What is
your
composing procedure?
It
differs, but usually it starts out with a vocal melody and then I build
from there. From time to time though, I've started out with a keyboard-sequence
or a guitar-riff and built upon, but since I consider the vocals the most
important in any music, I usually start with that.
Categorizing
is sad in music, but imo helps to describe what we are used
to
listen. So, how would you describe Timescape's sound?
Melodic
hardrock/metal, with overtones of pop, jazz, fusion, electronica and progressive
elements with lots of soul !
How
fit is the band? Is the line-up the same?
The
band is very fit. The line-up is still the same and we're even tighter
now
than when we did the session for "two worlds". The new material flat out
rocks !
Is
it easy for you to compose? I mean, is it fan the composing
procedure,
or just the result?
Usually,
composing is a pain in the ass (smiles) I can't sit down and compose, I
need to have inspiration from one source or another. It has to be a vocal-line
or a guitar-riff. Then I usually outline the songs in 4-6 weeks. Then we
spend another 6 months on arranging and rearranging it during rehearsals.
The final lyrics is usually what I do last, and that is a real pain, since
I think it's hard to write lyrics.
Do
you have any other hobbies and interests except music?
Oh
yes, political science and international relations for example. I'm a political
science major and journalism minor at the University of Linköping.
I also do downhill skiiing and lots of beer-drinking (not at the same time
though). I'm also a big fan of movies and try to go and see at least one
film every week.
Is
your bassist(Johan Erixon) as I've heard still playing with a Swedish
band
called "Pandora"?
Yes,
he's still in Pandora's touring band. I believe he's going to Japan
again
for some gigs in the beginning of June. Pandora is a multi-million
selling
Swedish artist in the dance/pop style. Very good actually.
You
are an active internet user. What is your opinion on internet's
use?
I see
a lot of benefits with the internet. Especially in the fields of
promoting
a new band. If we would not have had internet, we would probably
not
be where we are with Timescape today. There's a very big progressive
rock/metal
community on the internet, with many sites devoted to that kind
of
music, which is of course very refreshing. Personally, though, the
internet,
can be a drag. it's too easy to get caught up in it and forget
about
real life.
Your
brother for his age is a really good drummer. How many hours is he
practicing
a day? Is it only his talent?
It's
mostly talent, he plays pretty much all the standard rock-instruments
very
good. He's a fantastic keyboardplayer and plays both classical piano
and
jazz. He also plays guitar and bass. He started out with drums when he
was
7 years old and has been playing since then. I think that these days, he
practices about 4-6 hours/day, so that's pretty much !
There
are diverse opinions for Queensryche, Dream Theater and Fates Warning's
most recent albums. Some people hate them and many love them. What do you
thing of all this?
I think
they're all very good, with Fates Warning's "APSOG" being a
mile-stone.
I did like QR's "HitnF" and DT's "FII" very much as well, but I like that
sound, as opposed to many other people that thought they went too alternative.
As
I know you are christian. Do you consider yourself part of a religion
or
just your beliefs are at that direction?
yes,
I'm a Christian and my beliefs are very personal. I have my own relationship
with God and I really don't need 200 other people in a church to tell me
how to pray or how to believe. I believe that religion should be more personalized
instead of more institutionalized.
Which
are your favorite bands and albums?
Too
many to list (smiles), but I can give you a couple.
Marillion
- Brave, Afraid of Sunlight and Seasons End
Fates
Warning - APSOG
QR
- Rage for Order
Alanis
Morissette - Supposed Former Infatuation Junkie
Garbage
- Version 2.0
Manic
Street Preachers - Everything Must Go
Toto
- Toto IV, Isolation, Fahrenheit and 7th one
Pages
- Pages
It
Bites - Once Around the World
Francis
Dunnery - Tall Blonde Helicopter, Let's go do what happens
All
and everything by John Sykes
All
and everything by David Foster
Everything
by Depeche Mode
Those
are just some examples. I listen to a lot of music and buy about two albums
every week, from all different styles. I try to be as open-minded as possible
and listen to everything.
Are
you happy with the Swedish music scene? How are the things going
there
with progressive rock/metal?
I think
that's it's growing, but it's still very small. There's really no
point
in doing gigs in Sweden, unless you've sold at least 20,000 albums in the
country. The Swedish music-scene in general though is doing very good,
with several multi-million artists like The Cardigans, Ace of Base, Roxette
and Robyn. I think that's very good and it also puts Sweden on the map,
like a country of quality music production.
Which
is your highest hope for your next release?
That
we'll be able to secure a good deal with a good distribution, so that the
album will be available in all stores. I also hope that those who liked
"two worlds" will like the new album as much, of course !
Thanks
Johan for this interview. Is there anything that you'd like to
add?
Thanks
for doing the interview. We need all the exposure we can get, and
it's
thanks too people like you that we sell records. Thanks for your
burning
interest in good music and for your help in promoting it to the
people.
All the best on behalf of Timescape
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